2019Psychology of MusicRequires access

Absolute pitch: Myths, evidence and relevance to music education and performance

Jill Carden, Tony Cline

Open publisher page 15 citations

Abstract

The assumed extreme rarity of absolute pitch (AP), sometimes known as “perfect pitch”, is not supported by empirical evidence. Instead, studies indicate a prevalence of at least 4% for music students, making AP of potential importance to everyday music education. Considerable scientific curiosity about AP exists, though rarely have research findings been practically applied to music education. This review looks at the evidence of the origins of AP and of the distinct neurological, language and cognitive features of possessors, and considers the relevance of these to music students. The absence of systematically gathered data from those with AP about their experiences is discussed, and implications for the educational needs of this group considered.

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What this paper is about

The assumed extreme rarity of absolute pitch (AP), sometimes known as “perfect pitch”, is not supported by empirical evidence. Instead, studies indicate a prevalence of at least 4% for music students, making AP of potential importance to everyday music education. Considerable scientific curiosity about AP exists, though rarely have research findings been practically applied to music education. This review looks at the evidence of the origins of AP and of the distinct neurological, language and cognitive features of possessors, and considers the relevance of these to music students. The absence of systematically gathered data from those with AP about their experiences is discussed, and implications for the educational needs of this group considered.

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OpenAlex reports 15 citations for this work. Citation counts describe recorded attention and do not establish research quality.

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Available abstract

The assumed extreme rarity of absolute pitch (AP), sometimes known as “perfect pitch”, is not supported by empirical evidence. Instead, studies indicate a prevalence of at least 4% for music students, making AP of potential importance to everyday music education. Considerable scientific curiosity about AP exists, though rarely have research findings been practically applied to music education. This review looks at the evidence of the origins of AP and of the distinct neurological, language and cognitive features of possessors, and considers the relevance of these to music students. The absence of systematically gathered data from those with AP about their experiences is discussed, and implications for the educational needs of this group considered.

Key concepts: Psychology, Music education, Relevance (law), Curiosity, Mythology, Music psychology, Cognitive psychology, Absolute pitch

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