2019•Unpublished venueRequires access

Bach and Charpentier

Graeme Morton

Abstract

A performance of Bach Ascension Oratorio and Charpentier Te Deum by the UQ Chorale, UQ Singers and the Brisbane Baroque Players. The performance explored Performance Techniques appropriate to Baroque music, particularly in the context of an 100 voice choir and a small Baroque-instrument orchestra as well as exploring two of the predominant national styles of Baroque arts - German and French.

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Available abstract

Key concepts: Baroque, Oratorio, Choir, Art, German, Context (archaeology), Visual arts, Art history