Semiotika intertekstualnosti u filmovima Quentina Tarantina

The subject of this thesis is semiotics of intertextuality in movies directed by Quentin Tarantino. To lay a solid foundation for the analysis of his movies, firstly the term postmodernism is explained in the context of which Tarantino works and also its features. Next, postmodern film is also defined along with its characteristics. Intertextuality, as one of the phenomena of postmodernism and postmodern film, is defined and its types and levels are mentioned. Before the actual analysis of Tarantino’s movies his lifework is shortly described to better understand his work. Five of his movies are included in the analysis: “Reservoir Dogs”, “Pulp Fiction”, “Kill Bill: Vol 1 and Vol 2”, “Inglorious basterds” and “Django unchained”. The first step is a short introduction of each film and after that the identification of intertextual elements within. The analysis has found a clear intertextuality among Tarantino's movies, but also among his movies and other authors.