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A Communication Model for Industrial Theatre as a Negotiated Dramaturgy

Gavin Mersham, Gary L. Baker

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Abstract

This article proposes a model that effectively represents the communication process of the negotiated dramaturgy within the context of theatre performance. It begins by defining the negotiated dramaturgy within the context of industrial theatre before investigating several models of 'theatre as communication'. It analyses these models in terms of their applicability to the process of the negotiated dramaturgy. Finally, it proposes a model adapted for the negotiated dramaturgy developed by the authors.

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What this paper is about

This article proposes a model that effectively represents the communication process of the negotiated dramaturgy within the context of theatre performance. It begins by defining the negotiated dramaturgy within the context of industrial theatre before investigating several models of 'theatre as communication'. It analyses these models in terms of their applicability to the process of the negotiated dramaturgy. Finally, it proposes a model adapted for the negotiated dramaturgy developed by the authors.

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Available abstract

This article proposes a model that effectively represents the communication process of the negotiated dramaturgy within the context of theatre performance. It begins by defining the negotiated dramaturgy within the context of industrial theatre before investigating several models of 'theatre as communication'. It analyses these models in terms of their applicability to the process of the negotiated dramaturgy. Finally, it proposes a model adapted for the negotiated dramaturgy developed by the authors.

Key concepts: Dramaturgy, Context (archaeology), Process (computing), Aesthetics, Computer science, Art, History, Archaeology

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