1992Unpublished venueRequires access

Art and Language : Now They Are

Paul Wood

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Abstract

Commenting on a selection of works (1968-1992) produced by Art & Language, Wood examines the group's ties with conceptual art, stresses its critical approach towards modernist painting, and raises issues of irony, aesthetics, identity, and the production/consumption process. The artists discuss such themes as the artist's and viewer's perceptions before a work of art and consider the relation between seeing and knowing. Biographical notes. 118 bibl. ref.

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What this paper is about

Commenting on a selection of works (1968-1992) produced by Art & Language, Wood examines the group's ties with conceptual art, stresses its critical approach towards modernist painting, and raises issues of irony, aesthetics, identity, and the production/consumption process. The artists discuss such themes as the artist's and viewer's perceptions before a work of art and consider the relation between seeing and knowing. Biographical notes. 118 bibl. ref.

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Available abstract

Commenting on a selection of works (1968-1992) produced by Art & Language, Wood examines the group's ties with conceptual art, stresses its critical approach towards modernist painting, and raises issues of irony, aesthetics, identity, and the production/consumption process. The artists discuss such themes as the artist's and viewer's perceptions before a work of art and consider the relation between seeing and knowing. Biographical notes. 118 bibl. ref.

Key concepts: Irony, Aesthetics, Painting, Art, Identity (music), Relation (database), Consumption (sociology), Selection (genetic algorithm)

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