2009Unpublished venueRequires access

Comic Strips, Manga and Comics: Differences and Influences

Jean‐Paul Gabilliet

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Abstract

In France, comic strips have long been perceived—including by “specialists”—as an almost exclusively Franco-Belgian and American form of cultural output. Today, however, the comic strip market essentially revolves around traditions of three different origins: Franco-Belgian comic strips, American comics and Japanese manga. But the enormous popularity of manga among today’s readers should not obscure the fact that historically, comics have evolved very differently in the three cultural areas in question, especially in terms of economic publishing models and target readerships. Bringing a fresh perspective to bear on these specificities, this article shows how manga, in just twenty years, have come to compete irresistibly with Franco-Belgian and American comics.

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What this paper is about

In France, comic strips have long been perceived—including by “specialists”—as an almost exclusively Franco-Belgian and American form of cultural output. Today, however, the comic strip market essentially revolves around traditions of three different origins: Franco-Belgian comic strips, American comics and Japanese manga. But the enormous popularity of manga among today’s readers should not obscure the fact that historically, comics have evolved very differently in the three cultural areas in question, especially in terms of economic publishing models and target readerships. Bringing a fresh perspective to bear on these specificities, this article shows how manga, in just twenty years, have come to compete irresistibly with Franco-Belgian and American comics.

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Available abstract

In France, comic strips have long been perceived—including by “specialists”—as an almost exclusively Franco-Belgian and American form of cultural output. Today, however, the comic strip market essentially revolves around traditions of three different origins: Franco-Belgian comic strips, American comics and Japanese manga. But the enormous popularity of manga among today’s readers should not obscure the fact that historically, comics have evolved very differently in the three cultural areas in question, especially in terms of economic publishing models and target readerships. Bringing a fresh perspective to bear on these specificities, this article shows how manga, in just twenty years, have come to compete irresistibly with Franco-Belgian and American comics.

Key concepts: Comics, Comic strip, Popularity, Perspective (graphical), Publishing, Media studies, History, Art

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