Susan E. Lewis, María Virginia Acuña
Abstract
Building on semiotic and anthropological methods, Annibaldi interprets musical works as symbols of a patron’s social status and reputation. Applies this approach to Monteverdi’s Combattimento di Tancredi e Clorinda and to Girolamo Fresco-baldi’s toccatas for keyboard.
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Building on semiotic and anthropological methods, Annibaldi interprets musical works as symbols of a patron’s social status and reputation. Applies this approach to Monteverdi’s Combattimento di Tancredi e Clorinda and to Girolamo Fresco-baldi’s toccatas for keyboard.
Key concepts: Aesthetics, Art