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THE BODY AS MUSICAL STRUCTURE

Jan Hendrickse

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Abstract

Abstract This article considers the ways that we might rethink our relationship to musical tools and discusses some possible implications for re-thinking these human/non-human intra-actions. I refer to my own experience as a flute player to examine the body's relationship to air and whether this can be considered to be a form of touch. In doing so I have referenced trans-cultural perspectives in order to show that specific musical practices can structure human experience in very different ways.

About this research paper

What this paper is about

Abstract This article considers the ways that we might rethink our relationship to musical tools and discusses some possible implications for re-thinking these human/non-human intra-actions. I refer to my own experience as a flute player to examine the body's relationship to air and whether this can be considered to be a form of touch. In doing so I have referenced trans-cultural perspectives in order to show that specific musical practices can structure human experience in very different ways.

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Available abstract

Abstract This article considers the ways that we might rethink our relationship to musical tools and discusses some possible implications for re-thinking these human/non-human intra-actions. I refer to my own experience as a flute player to examine the body's relationship to air and whether this can be considered to be a form of touch. In doing so I have referenced trans-cultural perspectives in order to show that specific musical practices can structure human experience in very different ways.

Key concepts: Musical, Flute, Human body, Order (exchange), Musical form, Aesthetics, Sociology, Psychology

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