2018Oxford University Press eBooksRequires access

Psychology of Music: A Very Short Introduction

Elizabeth Hellmuth Margulis

Open publisher page 57 citations

Abstract

There is a long tradition of thinking about music as a product of the human mind. Whether considering composition, performance, listening, or appreciation, the constraints and capabilities of the human mind play a formative role. The field that has emerged around this approach is known as the psychology of music. It seeks to answer fundamental questions of broad and enduring interest—questions like “What is musicality?” and “How does music move us?” The Psychology of Music: A Very Short Introduction explores how the psychology of music confronts these questions. It connects the science to larger humanistic questions about music that are of interest to practicing musicians, music therapists, musicologists, and the general public alike.

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What this paper is about

There is a long tradition of thinking about music as a product of the human mind. Whether considering composition, performance, listening, or appreciation, the constraints and capabilities of the human mind play a formative role. The field that has emerged around this approach is known as the psychology of music. It seeks to answer fundamental questions of broad and enduring interest—questions like “What is musicality?” and “How does music move us?” The Psychology of Music: A Very Short Introduction explores how the psychology of music confronts these questions. It connects the science to larger humanistic questions about music that are of interest to practicing musicians, music therapists, musicologists, and the general public alike.

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OpenAlex reports 57 citations for this work. Citation counts describe recorded attention and do not establish research quality.

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Available abstract

There is a long tradition of thinking about music as a product of the human mind. Whether considering composition, performance, listening, or appreciation, the constraints and capabilities of the human mind play a formative role. The field that has emerged around this approach is known as the psychology of music. It seeks to answer fundamental questions of broad and enduring interest—questions like “What is musicality?” and “How does music move us?” The Psychology of Music: A Very Short Introduction explores how the psychology of music confronts these questions. It connects the science to larger humanistic questions about music that are of interest to practicing musicians, music therapists, musicologists, and the general public alike.

Key concepts: Music psychology, Musicology, Musicality, Music history, Music and emotion, Music education, Psychology, Formative assessment

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