How Titian’s paintings rivalled Bellini’s
Tom Nichols
Abstract
Tom Nichols
Abstract
This invited blog for the British Academy examines Simon Schama's treatment of the paintings of Giovanni Bellini and Titian in the episode of BBC2's Civilisations series entitled 'Radiance'. Relating to the argument made in my 2013 monograph, Titian and the End of the Venetian Renaissance, it suggests that the relationship between the two Venetian artists was difficult, and that Titian radically departed from Bellini's approach to painting.
A significance statement is not available in the OpenAlex record.
A contribution statement is not available in the OpenAlex record.
Method details are not available in the OpenAlex metadata.
Findings are not separately available in the OpenAlex metadata.
Limitations are not available in the OpenAlex metadata.
Application details are not available in the OpenAlex metadata.
This invited blog for the British Academy examines Simon Schama's treatment of the paintings of Giovanni Bellini and Titian in the episode of BBC2's Civilisations series entitled 'Radiance'. Relating to the argument made in my 2013 monograph, Titian and the End of the Venetian Renaissance, it suggests that the relationship between the two Venetian artists was difficult, and that Titian radically departed from Bellini's approach to painting.
Key concepts: Painting, Art, The Renaissance, Argument (complex analysis), Art history, Radiance, Geology, Chemistry