OECD’s dominant discourses of the low-performer and the production of subjects
Melissa Andrade-Molina
Abstract
Open-access reader
Melissa Andrade-Molina
Abstract
Open-access reader
This article aims at troubling the dominant discourses around OECD’s portrayal of the low-performer. It deconstructs and maps the taken-for-granted truths that are built under the assumption that an accumulation of risk factors on students would pose a threat to the economic growth of a country. From this reading, the low-performer is taken as a child in need of salvation full of disadvantages that should be overcome. By building on a Deleuzian nonsense, the analysis plays with other types of correlations to conclude that the low-performer is a fabrication for the production of the underachiever.
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This article aims at troubling the dominant discourses around OECD’s portrayal of the low-performer. It deconstructs and maps the taken-for-granted truths that are built under the assumption that an accumulation of risk factors on students would pose a threat to the economic growth of a country. From this reading, the low-performer is taken as a child in need of salvation full of disadvantages that should be overcome. By building on a Deleuzian nonsense, the analysis plays with other types of correlations to conclude that the low-performer is a fabrication for the production of the underachiever.
Key concepts: Performing arts, Nonsense, Production (economics), Reading (process), Aesthetics, Sociology, Visual arts, Art