Two Manifestos: The Influence of Italian Futurism in Russia
František Deák
Abstract
František Deák
Abstract
From the very beginning of the Futurist movement in Italy in 1909, Russian artists, poets, and critics were well informed about the movement's manifestos and general development. Strong schools of Futurist poetry and painting quickly came into being. By 1913, Russian Futurism was already in full force. In that year, on December 2 and 3, the first Futurist theatre productions took place: Vladimir Mayakovsky's Vladimir Mayakovsky and Alexander Kruchenykh's Victory Over the Sun (T52). However, Mayakovsky and Kruchenykh were not familiar with the first Futurist manifesto devoted to theatre: the Variety Theatre Manifesto (September 29, 1913). Their plays and productions were influenced by general Futurist principles, rather than a specific theatrical theory.
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From the very beginning of the Futurist movement in Italy in 1909, Russian artists, poets, and critics were well informed about the movement's manifestos and general development. Strong schools of Futurist poetry and painting quickly came into being. By 1913, Russian Futurism was already in full force. In that year, on December 2 and 3, the first Futurist theatre productions took place: Vladimir Mayakovsky's Vladimir Mayakovsky and Alexander Kruchenykh's Victory Over the Sun (T52). However, Mayakovsky and Kruchenykh were not familiar with the first Futurist manifesto devoted to theatre: the Variety Theatre Manifesto (September 29, 1913). Their plays and productions were influenced by general Futurist principles, rather than a specific theatrical theory.
Key concepts: Futurist, Manifesto, Victory, Poetry, Avant garde, Painting, Art history, Art