2018Oxford University Press eBooksRequires access

A History of DIY Recording

Adam Patrick Bell

Open publisher page 0 citations

Abstract

Chapter 1 charts the evolution of DIY recording from Edison’s first successful recording in 1877 to the present era of digital audio workstation (DAW)-dependent recording. Examining a recording technology’s ease of access and ease of use during a given era—the prime determinants of self-sufficiency—the viability of DIY recording is assessed from decade to decade. DIY recording is as old as the phonograph, and has a long lineage in recording history, best exemplified by “sound-on-sound” pioneer and guitar namesake Les Paul. With key advancements in recording techniques such as overdubbing and multitracking being popularized by Les Paul and other DIY-ers during the early era of tape recording, conventions and conceptions of recording music were challenged and changed. Instead of performing for the recording, the recording process became the performance, and this recording consciousness, devised in DIY studios, has persevered to the present.

About this research paper

What this paper is about

Chapter 1 charts the evolution of DIY recording from Edison’s first successful recording in 1877 to the present era of digital audio workstation (DAW)-dependent recording. Examining a recording technology’s ease of access and ease of use during a given era—the prime determinants of self-sufficiency—the viability of DIY recording is assessed from decade to decade. DIY recording is as old as the phonograph, and has a long lineage in recording history, best exemplified by “sound-on-sound” pioneer and guitar namesake Les Paul. With key advancements in recording techniques such as overdubbing and multitracking being popularized by Les Paul and other DIY-ers during the early era of tape recording, conventions and conceptions of recording music were challenged and changed. Instead of performing for the recording, the recording process became the performance, and this recording consciousness, devised in DIY studios, has persevered to the present.

Why it matters

A significance statement is not available in the OpenAlex record.

Key contribution

A contribution statement is not available in the OpenAlex record.

Method / approach

Method details are not available in the OpenAlex metadata.

Main findings

Findings are not separately available in the OpenAlex metadata.

Limitations

Limitations are not available in the OpenAlex metadata.

Applications

Application details are not available in the OpenAlex metadata.

Available abstract

Chapter 1 charts the evolution of DIY recording from Edison’s first successful recording in 1877 to the present era of digital audio workstation (DAW)-dependent recording. Examining a recording technology’s ease of access and ease of use during a given era—the prime determinants of self-sufficiency—the viability of DIY recording is assessed from decade to decade. DIY recording is as old as the phonograph, and has a long lineage in recording history, best exemplified by “sound-on-sound” pioneer and guitar namesake Les Paul. With key advancements in recording techniques such as overdubbing and multitracking being popularized by Les Paul and other DIY-ers during the early era of tape recording, conventions and conceptions of recording music were challenged and changed. Instead of performing for the recording, the recording process became the performance, and this recording consciousness, devised in DIY studios, has persevered to the present.

Key concepts: Phonograph, Sound recording and reproduction, Digital recording, Studio, Guitar, Tape recorder, Art, Computer science

Related papers

Back to paper searchBrowse research topicsOriginal source
A History of DIY Recording — Research Paper | ScholarLens