2016•UCA Research Online (University for the Creative Arts)Requires access

Grafters: Industrial Society in Image and Word

Chris Coekin

Open publisher page 0 citations

Abstract

Nothing compared to photography when it came to capturing the Industrial Revolution. As Britain’s society changed, techniques in photography developed, enabling workers to capture their own lives for the first time. \n \nVisitors will witness how the working classes went from objects in photos, to heroic representations of industry and finally to photographers themselves. The exhibition highlights unseen images from important photographic collections. \n \nThis is an exhibition on loan from the Peoples History Museum, Manchester. The exhibition is in partnership with Ian Beesley, with original works by the poet Ian Macmillan. Grafters is a photographic exhibition comprising predominantly of images from the Peoples History Museum photographic collection and Bradford Museums & Galleries photographic collection along with individual contemporary photographers including Chris Coekin.

About this research paper

What this paper is about

Nothing compared to photography when it came to capturing the Industrial Revolution. As Britain’s society changed, techniques in photography developed, enabling workers to capture their own lives for the first time. \n \nVisitors will witness how the working classes went from objects in photos, to heroic representations of industry and finally to photographers themselves. The exhibition highlights unseen images from important photographic collections. \n \nThis is an exhibition on loan from the Peoples History Museum, Manchester. The exhibition is in partnership with Ian Beesley, with original works by the poet Ian Macmillan. Grafters is a photographic exhibition comprising predominantly of images from the Peoples History Museum photographic collection and Bradford Museums & Galleries photographic collection along with individual contemporary photographers including Chris Coekin.

Why it matters

A significance statement is not available in the OpenAlex record.

Key contribution

A contribution statement is not available in the OpenAlex record.

Method / approach

Method details are not available in the OpenAlex metadata.

Main findings

Findings are not separately available in the OpenAlex metadata.

Limitations

Limitations are not available in the OpenAlex metadata.

Applications

Application details are not available in the OpenAlex metadata.

Available abstract

Nothing compared to photography when it came to capturing the Industrial Revolution. As Britain’s society changed, techniques in photography developed, enabling workers to capture their own lives for the first time. \n \nVisitors will witness how the working classes went from objects in photos, to heroic representations of industry and finally to photographers themselves. The exhibition highlights unseen images from important photographic collections. \n \nThis is an exhibition on loan from the Peoples History Museum, Manchester. The exhibition is in partnership with Ian Beesley, with original works by the poet Ian Macmillan. Grafters is a photographic exhibition comprising predominantly of images from the Peoples History Museum photographic collection and Bradford Museums & Galleries photographic collection along with individual contemporary photographers including Chris Coekin.

Key concepts: Exhibition, Photography, Witness, Visual arts, Negative, Nothing, Art history, Industrial Revolution

Related papers

Back to paper searchBrowse research topicsOriginal source
Grafters: Industrial Society in Image and Word — Research Paper | ScholarLens