Grafters: Industrial Society in Image and Word
Chris Coekin
Abstract
Chris Coekin
Abstract
Nothing compared to photography when it came to capturing the Industrial Revolution. As Britain’s society changed, techniques in photography developed, enabling workers to capture their own lives for the first time. \n \nVisitors will witness how the working classes went from objects in photos, to heroic representations of industry and finally to photographers themselves. The exhibition highlights unseen images from important photographic collections. \n \nThis is an exhibition on loan from the Peoples History Museum, Manchester. The exhibition is in partnership with Ian Beesley, with original works by the poet Ian Macmillan. Grafters is a photographic exhibition comprising predominantly of images from the Peoples History Museum photographic collection and Bradford Museums & Galleries photographic collection along with individual contemporary photographers including Chris Coekin.
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Nothing compared to photography when it came to capturing the Industrial Revolution. As Britain’s society changed, techniques in photography developed, enabling workers to capture their own lives for the first time. \n \nVisitors will witness how the working classes went from objects in photos, to heroic representations of industry and finally to photographers themselves. The exhibition highlights unseen images from important photographic collections. \n \nThis is an exhibition on loan from the Peoples History Museum, Manchester. The exhibition is in partnership with Ian Beesley, with original works by the poet Ian Macmillan. Grafters is a photographic exhibition comprising predominantly of images from the Peoples History Museum photographic collection and Bradford Museums & Galleries photographic collection along with individual contemporary photographers including Chris Coekin.
Key concepts: Exhibition, Photography, Witness, Visual arts, Negative, Nothing, Art history, Industrial Revolution