The Praxis of the Solo Performer: The Theories and Practices Explored during the Creation of a Solo Performance based on the Life and Art of Ian Fairweather
Steven Gration
Abstract
Open-access reader
Steven Gration
Abstract
Open-access reader
This research investigates the field of performance practice often referred to as monodramas, one-person plays or variously as one-woman or one-man shows, I adopt a more encompassing term, Solo Performance, to describe the activities of an individual performing to an audience within the field of Drama. Central to the conclusions I have drawn are the insights emerging from the processes involved in creating an original solo performance text and a live solo performance based primarily on events in the life of the Australian visual artist Ian Fairweather....etc.
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This research investigates the field of performance practice often referred to as monodramas, one-person plays or variously as one-woman or one-man shows, I adopt a more encompassing term, Solo Performance, to describe the activities of an individual performing to an audience within the field of Drama. Central to the conclusions I have drawn are the insights emerging from the processes involved in creating an original solo performance text and a live solo performance based primarily on events in the life of the Australian visual artist Ian Fairweather....etc.
Key concepts: Performing arts, Praxis, Drama, Performance practice, Performance studies, Field (mathematics), Aesthetics, Visual arts