CroatianAnti-war photography - World War I, World War II and the Homeland War
Rhea Ivanuš, Branka Hlevnjak
Abstract
Rhea Ivanuš, Branka Hlevnjak
Abstract
War photography, particularly the photography this book deals with is an anti-war message. The models are always subcultural. The faces in the foreground are scared children, desperate women, dying men, wounded people, nameless army, corpses without identity briefly people –victims. Victims of global leaders and their scenarios for events not utterly being the choice of their peoples. There are no politicians on battlefields. War photography is a sub-cultural protest against the dominant (military) culture that imposed it.
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War photography, particularly the photography this book deals with is an anti-war message. The models are always subcultural. The faces in the foreground are scared children, desperate women, dying men, wounded people, nameless army, corpses without identity briefly people –victims. Victims of global leaders and their scenarios for events not utterly being the choice of their peoples. There are no politicians on battlefields. War photography is a sub-cultural protest against the dominant (military) culture that imposed it.
Key concepts: Photography, Homeland, Identity (music), World War II, Spanish Civil War, History, First world war, Media studies