Notating Electroacoustic Music For Performers From A Practitioner'S Experience

This paper discusses notation practices and experiments within the electroacoustic performance and composition practice of the author. These spring from a performer and performance-oriented position towards notation in a field that has traditionally catered more to notation for analysis and description. As such, the works and experiences discussed offer hybrid solutions and multiple formats to satisfy specific needs for the effective rehearsal and performance of electroacoustic music. The adaptation of tools specific to electroacoustic practice for more contemporary classical performers is discussed using examples from works written for and by the author in collaboration with other performers and composers.