Infusing Perception with Imagination
Derek Brown
Abstract
Open-access reader
Derek Brown
Abstract
Open-access reader
This chapter explores the broad thesis that most if not all perceptual experiences are infused or soaked with imaginings. To begin, the author articulates a sense of imagination useful for this discussion, avoids some pitfalls, and incorporates the result into a schematic guidance principle. The thought behind the principle is that imaginative contributions to perceptual experiences are self-generated ingredients to perception that have a reasonably direct, ampliative impact on the relevant perceptual experiences. This framework is then applied to three sets of case studies: object-kind and object-sameness experiences (Strawson 1970); colour (Macpherson 2012); and amodal completion (Nanay 2010) and perceptual constancy. Although the case studies have interesting differences, they all conform to the guidance principle. Since each has the potential to independently justify the thesis that perceptual experiences are infused with imaginings, they collectively provide sound motive to provisionally endorse it.
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This chapter explores the broad thesis that most if not all perceptual experiences are infused or soaked with imaginings. To begin, the author articulates a sense of imagination useful for this discussion, avoids some pitfalls, and incorporates the result into a schematic guidance principle. The thought behind the principle is that imaginative contributions to perceptual experiences are self-generated ingredients to perception that have a reasonably direct, ampliative impact on the relevant perceptual experiences. This framework is then applied to three sets of case studies: object-kind and object-sameness experiences (Strawson 1970); colour (Macpherson 2012); and amodal completion (Nanay 2010) and perceptual constancy. Although the case studies have interesting differences, they all conform to the guidance principle. Since each has the potential to independently justify the thesis that perceptual experiences are infused with imaginings, they collectively provide sound motive to provisionally endorse it.
Key concepts: Perception, Amodal perception, Object (grammar), Schematic, Psychology, Aesthetics, Epistemology, Cognitive psychology