Writing and Methodology: Literary Texts as Ethnographic Data and Creative Writing as a Means of Investigation
Oscar Hemer
Abstract
Oscar Hemer
Abstract
This chapter discusses the relation between writing and ethnography from two different perspectives. First, drawing from his own experience of both literary, journalistic and academic writing, the author explores the interrelations between these three writing practices, with a specific focus on creative forms of academic writing and even the deployment of fictional elements in ethnographic research. Second, “turning the tables”, he looks at literary texts (books, films and other formats) as ethnographic data. Primarily founding his argument on examples from South Africa and Argentina, he claims that literature may hold key information about processes of development and social change that cannot be assessed by other means. The notion of the conceptual repertoire (Appadurai 1996) is applied in the analysis of fiction’s role in the production of collective memory and self-understanding.
OpenAlex reports 6 citations for this work. Citation counts describe recorded attention and do not establish research quality.
A contribution statement is not available in the OpenAlex record.
Method details are not available in the OpenAlex metadata.
Findings are not separately available in the OpenAlex metadata.
Limitations are not available in the OpenAlex metadata.
Application details are not available in the OpenAlex metadata.
This chapter discusses the relation between writing and ethnography from two different perspectives. First, drawing from his own experience of both literary, journalistic and academic writing, the author explores the interrelations between these three writing practices, with a specific focus on creative forms of academic writing and even the deployment of fictional elements in ethnographic research. Second, “turning the tables”, he looks at literary texts (books, films and other formats) as ethnographic data. Primarily founding his argument on examples from South Africa and Argentina, he claims that literature may hold key information about processes of development and social change that cannot be assessed by other means. The notion of the conceptual repertoire (Appadurai 1996) is applied in the analysis of fiction’s role in the production of collective memory and self-understanding.
Key concepts: Ethnography, Argument (complex analysis), Creative writing, Relation (database), Academic writing, Sociology, Focus (optics), Repertoire