2014University Press of Florida eBooksRequires access

Jazz Dance Training via Private Studios, Competitions, and Conventions

Lindsay Guarino

Open publisher page 20 citations

Abstract

It appears that the majority of young dancers today are most familiar with a style of jazz dance that relies heavily on pop music, ballet technique, and tricks. Only by revealing many perspectives on training jazz dancers can we understand how jazz dance has come to be a genre which often differs drastically in comparison to its original form. The research presented in this chapter involves a survey of dance studio owners across the country on topics such as age appropriateness in costuming, music choices, technical standards, the importance of tricks and flash moves in routines, styles of jazz taught, and the place of improvisation within jazz dance training. An in-depth look at the role of competitions and the role of popular culture in the studio world is also included.

About this research paper

What this paper is about

It appears that the majority of young dancers today are most familiar with a style of jazz dance that relies heavily on pop music, ballet technique, and tricks. Only by revealing many perspectives on training jazz dancers can we understand how jazz dance has come to be a genre which often differs drastically in comparison to its original form. The research presented in this chapter involves a survey of dance studio owners across the country on topics such as age appropriateness in costuming, music choices, technical standards, the importance of tricks and flash moves in routines, styles of jazz taught, and the place of improvisation within jazz dance training. An in-depth look at the role of competitions and the role of popular culture in the studio world is also included.

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OpenAlex reports 20 citations for this work. Citation counts describe recorded attention and do not establish research quality.

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Available abstract

It appears that the majority of young dancers today are most familiar with a style of jazz dance that relies heavily on pop music, ballet technique, and tricks. Only by revealing many perspectives on training jazz dancers can we understand how jazz dance has come to be a genre which often differs drastically in comparison to its original form. The research presented in this chapter involves a survey of dance studio owners across the country on topics such as age appropriateness in costuming, music choices, technical standards, the importance of tricks and flash moves in routines, styles of jazz taught, and the place of improvisation within jazz dance training. An in-depth look at the role of competitions and the role of popular culture in the studio world is also included.

Key concepts: Jazz, Dance, Improvisation, Studio, Jazz dance, Visual arts, Choreography, Dance improvisation

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