2006Oxford University Press eBooksRequires access

Late Antique Art: The Problem of the Concept and the Cumulative Aesthetic

Jaś Elsner

Open publisher page 52 citations

Abstract

This chapter explores the category of ‘late antique art’. It considers some of the changes in visual production — which fall basically in the 4th century — and examines how some of the characteristic elements of late antique art that emerged then were developed by the 6th century into a last spectacular synthesis, which was truly antique but nonetheless new by contrast with earlier production.

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What this paper is about

This chapter explores the category of ‘late antique art’. It considers some of the changes in visual production — which fall basically in the 4th century — and examines how some of the characteristic elements of late antique art that emerged then were developed by the 6th century into a last spectacular synthesis, which was truly antique but nonetheless new by contrast with earlier production.

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OpenAlex reports 52 citations for this work. Citation counts describe recorded attention and do not establish research quality.

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Available abstract

This chapter explores the category of ‘late antique art’. It considers some of the changes in visual production — which fall basically in the 4th century — and examines how some of the characteristic elements of late antique art that emerged then were developed by the 6th century into a last spectacular synthesis, which was truly antique but nonetheless new by contrast with earlier production.

Key concepts: Antique, Art, Aesthetics, Visual arts

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