The Cinema of a ‘New Real’
David R. Cole, Joff P. N. Bradley
Abstract
David R. Cole, Joff P. N. Bradley
Abstract
In this chapter, and working within the thematic of ‘a pedagogy of cinema’, I shall examine in detail the notion of the ‘any-space-whatever’ as presented in Deleuze’s philosophy to show how it resonates with the use of video in documentary film-making – and Lazzarato video philosophy (1996). This is undertaken to make the case that cinema thinks the time-image as a pedagogical tool to disclose non-dominant, non-ideological ways of thinking. These keywords were added by machine and not by the authors. This process is experimental and the keywords may be updated as the learning algorithm improves.
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In this chapter, and working within the thematic of ‘a pedagogy of cinema’, I shall examine in detail the notion of the ‘any-space-whatever’ as presented in Deleuze’s philosophy to show how it resonates with the use of video in documentary film-making – and Lazzarato video philosophy (1996). This is undertaken to make the case that cinema thinks the time-image as a pedagogical tool to disclose non-dominant, non-ideological ways of thinking. These keywords were added by machine and not by the authors. This process is experimental and the keywords may be updated as the learning algorithm improves.
Key concepts: Movie theater, Ideology, Space (punctuation), Aesthetics, Art, Visual arts, Sociology, Epistemology