What Means a Knight? Red Cross Knight and Edgar
Michael L. Hays
Abstract
Michael L. Hays
Abstract
This chapter views Redcross Knight (The Faerie Queene) and Edgar (King Lear) as chivalric knights, and studies Spenser's and Shakespeare's own uses of materials from the chivalric romance tradition. It then determines Spenser's and Shakespeare's attitudes towards knights and chivalry as possible signs of modern perspectives as the medieval world transitioned into the modern world. The chapter also explores both works through their intimate familiarity with chivalric romances, as well as their conventional materials.
A significance statement is not available in the OpenAlex record.
A contribution statement is not available in the OpenAlex record.
Method details are not available in the OpenAlex metadata.
Findings are not separately available in the OpenAlex metadata.
Limitations are not available in the OpenAlex metadata.
Application details are not available in the OpenAlex metadata.
This chapter views Redcross Knight (The Faerie Queene) and Edgar (King Lear) as chivalric knights, and studies Spenser's and Shakespeare's own uses of materials from the chivalric romance tradition. It then determines Spenser's and Shakespeare's attitudes towards knights and chivalry as possible signs of modern perspectives as the medieval world transitioned into the modern world. The chapter also explores both works through their intimate familiarity with chivalric romances, as well as their conventional materials.
Key concepts: Chivalry, Knight, Romance, Literature, Art, Physics, Astronomy