BACH: AN ENVIRONMENT FOR COMPUTER-AIDED COMPOSITION IN MAX
Andrea Agostini, Daniele Ghisi
Abstract
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Andrea Agostini, Daniele Ghisi
Abstract
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Environments for computer-aided composition (CAC for short), allowing generation and transformation of symbolic musical data, are usually counterposed to real-time environments or sequencers.The counterposition is deeply methodological: in traditional CAC environments interface changes have no effect until a certain 'refresh' operation is performed, whereas real-time environments immediately react to user input.We shall present in this article a library for Max, named bach: automatic composer's helper, which adds highly refined capabilities for musical notation and symbolic processing to a typically real-time environment, in order to recompose the fracture between computer-aided composition and the real-time world.
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Environments for computer-aided composition (CAC for short), allowing generation and transformation of symbolic musical data, are usually counterposed to real-time environments or sequencers.The counterposition is deeply methodological: in traditional CAC environments interface changes have no effect until a certain 'refresh' operation is performed, whereas real-time environments immediately react to user input.We shall present in this article a library for Max, named bach: automatic composer's helper, which adds highly refined capabilities for musical notation and symbolic processing to a typically real-time environment, in order to recompose the fracture between computer-aided composition and the real-time world.
Key concepts: Composition (language), Computer science, Linguistics, Philosophy