2005Unpublished venueRequires access

The Religious Culture in CAO Yu's Plays

Xu Xiao

Open publisher page 0 citations

Abstract

CAO Yu used to be a folk artist, educated at Tsinghua University by the modern Liberalism and the West- ern Christian civilization. What makes him a master of drama is firstly the traditional culture of China, especially the folk religious culture of Confucianism, Buddhismand Daoism, a combination both cruel and lively, and the traditional Chinese opera and novel representing the folk religious culture. The Liberalism and Christianity he learned at Tsing- hua University are only of secondary importance. The philosophical and cultural resources he possessed are complex and native; once he lost the complexness, he lost the creative ability of the spirit step by step, and the charm of his art was weakened as a result.

About this research paper

What this paper is about

CAO Yu used to be a folk artist, educated at Tsinghua University by the modern Liberalism and the West- ern Christian civilization. What makes him a master of drama is firstly the traditional culture of China, especially the folk religious culture of Confucianism, Buddhismand Daoism, a combination both cruel and lively, and the traditional Chinese opera and novel representing the folk religious culture. The Liberalism and Christianity he learned at Tsing- hua University are only of secondary importance. The philosophical and cultural resources he possessed are complex and native; once he lost the complexness, he lost the creative ability of the spirit step by step, and the charm of his art was weakened as a result.

Why it matters

A significance statement is not available in the OpenAlex record.

Key contribution

A contribution statement is not available in the OpenAlex record.

Method / approach

Method details are not available in the OpenAlex metadata.

Main findings

Findings are not separately available in the OpenAlex metadata.

Limitations

Limitations are not available in the OpenAlex metadata.

Applications

Application details are not available in the OpenAlex metadata.

Available abstract

CAO Yu used to be a folk artist, educated at Tsinghua University by the modern Liberalism and the West- ern Christian civilization. What makes him a master of drama is firstly the traditional culture of China, especially the folk religious culture of Confucianism, Buddhismand Daoism, a combination both cruel and lively, and the traditional Chinese opera and novel representing the folk religious culture. The Liberalism and Christianity he learned at Tsing- hua University are only of secondary importance. The philosophical and cultural resources he possessed are complex and native; once he lost the complexness, he lost the creative ability of the spirit step by step, and the charm of his art was weakened as a result.

Key concepts: Drama, Civilization, Opera, China, Liberalism, Art, Christianity, Heaven

Related papers

Back to paper searchBrowse research topicsOriginal source
The Religious Culture in CAO Yu's Plays — Research Paper | ScholarLens