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Exposition from Late Qing Dynasty to Republic of China and Communication on Art Design

Lijun Zheng

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Abstract

From late Qing dynasty to Republic of China,in expositions either interior or exterior,Chinese pavilion mainly presented a classical aura,furthermore,what displayed mainly were traditional craftwork.Expositions promoted communication upon art design between China and foreign countries,which was an important historical fact in modern design communication worldwide.Expositions provided an opportunity for Chinese to know about the modern design conception in western countries.Meanwhile,they exposed severe deficiencies in design conception and communication awareness.

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What this paper is about

From late Qing dynasty to Republic of China,in expositions either interior or exterior,Chinese pavilion mainly presented a classical aura,furthermore,what displayed mainly were traditional craftwork.Expositions promoted communication upon art design between China and foreign countries,which was an important historical fact in modern design communication worldwide.Expositions provided an opportunity for Chinese to know about the modern design conception in western countries.Meanwhile,they exposed severe deficiencies in design conception and communication awareness.

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Available abstract

From late Qing dynasty to Republic of China,in expositions either interior or exterior,Chinese pavilion mainly presented a classical aura,furthermore,what displayed mainly were traditional craftwork.Expositions promoted communication upon art design between China and foreign countries,which was an important historical fact in modern design communication worldwide.Expositions provided an opportunity for Chinese to know about the modern design conception in western countries.Meanwhile,they exposed severe deficiencies in design conception and communication awareness.

Key concepts: Pavilion, China, Exposition (narrative), The Republic, History, Aesthetics, Art, Ancient history

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