2000Journal of Beijing Normal UniversityRequires access

The Views and Characteristics of Chinese Movie Aesthetics in Early Half of 20th Century

Yi Wang

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Abstract

The concept of Chinese movie is not built on the movie itself, but focuses on the contents and implications. Movie itself is just an appearance that is used to serve the contents. The concept of Chinese movie incorporates into diversified views: the sophisticated approach from traditional Chinese arts, the consistent drama through the story-telling in American movie, the conflict principles from the movie of Soviet Union, and the poetic atmosphere from Chinese ancient aesthetics.

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What this paper is about

The concept of Chinese movie is not built on the movie itself, but focuses on the contents and implications. Movie itself is just an appearance that is used to serve the contents. The concept of Chinese movie incorporates into diversified views: the sophisticated approach from traditional Chinese arts, the consistent drama through the story-telling in American movie, the conflict principles from the movie of Soviet Union, and the poetic atmosphere from Chinese ancient aesthetics.

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Available abstract

The concept of Chinese movie is not built on the movie itself, but focuses on the contents and implications. Movie itself is just an appearance that is used to serve the contents. The concept of Chinese movie incorporates into diversified views: the sophisticated approach from traditional Chinese arts, the consistent drama through the story-telling in American movie, the conflict principles from the movie of Soviet Union, and the poetic atmosphere from Chinese ancient aesthetics.

Key concepts: Drama, Atmosphere (unit), Aesthetics, The arts, China, Poetry, Soviet union, Art

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