2010•Journal of Nanyang Normal UniversityRequires access

Grace and Sublime-On the Specialty of Liang Zongdai's Theory of Sublime and Its Significance in Aesthetics

QI Guang-yuan

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Abstract

Liang Zongdai didn't think it accurate that Zhu Guangqian translated the English word into majestic (雄伟).Therefore,he translated it into Chong Gao (崇高) on the basis of its original meaning,which makes Chong Gao become a commonly used translated term in modern aesthetics.He connected grace with which enlarged the studied subject of theory.He denied the absolute truth of Kantian theory,and added new meanings into the theory of mathematical sublime and mechanical sublime.

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Liang Zongdai didn't think it accurate that Zhu Guangqian translated the English word into majestic (雄伟).Therefore,he translated it into Chong Gao (崇高) on the basis of its original meaning,which makes Chong Gao become a commonly used translated term in modern aesthetics.He connected grace with which enlarged the studied subject of theory.He denied the absolute truth of Kantian theory,and added new meanings into the theory of mathematical sublime and mechanical sublime.

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Available abstract

Liang Zongdai didn't think it accurate that Zhu Guangqian translated the English word into majestic (雄伟).Therefore,he translated it into Chong Gao (崇高) on the basis of its original meaning,which makes Chong Gao become a commonly used translated term in modern aesthetics.He connected grace with which enlarged the studied subject of theory.He denied the absolute truth of Kantian theory,and added new meanings into the theory of mathematical sublime and mechanical sublime.

Key concepts: Sublime, Aesthetic theory, Meaning (existential), Philosophy, Subject (documents), Aesthetics, Epistemology, Computer science

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