2003•Journal of Northeastern UniversityRequires access

How to Realize the Second Creation in Musical Performance

Zheng Shun

Abstract

The thesis briefly introduces the basic concept of the first creation in musical composition and the second creation in musical performance as well as the relationship between them. From the aesthetic point of view, the author explains the basic principles applied to the second creation in musical performance. The analysis of specific musical pieces proves the importance of the unity of truthful representation and creativity as well as the unity of historical reality and modern interpretation in musical performance.

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Available abstract

Key concepts: Musical, New Interfaces for Musical Expression, Interpretation (philosophy), Creativity, Musical composition, Representation (politics), Computer science, Point (geometry)