2007•Unpublished venueRequires access

The Impart and Inherit with Variance of Chinese Ceremonial Classic Music at Korea Peninsula

Chi Feng-zh

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Abstract

The Chinese Yayue (ceremonial classic music )came from court hymns of the Western Zhou Dynasty, and it started to disseminate to East Asia in Tang Dynasty. The Yayue arrived in Korea peninsula in Song Dynasty, which profound affected its folk music. The writer comparative researched Yayue in two countries with their usage founction, band organizations, historical transmute, to get the complete cognition on the Korean ceremonial classic music, as well as Korean's attitude to take in the Chinese musical culture.

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What this paper is about

The Chinese Yayue (ceremonial classic music )came from court hymns of the Western Zhou Dynasty, and it started to disseminate to East Asia in Tang Dynasty. The Yayue arrived in Korea peninsula in Song Dynasty, which profound affected its folk music. The writer comparative researched Yayue in two countries with their usage founction, band organizations, historical transmute, to get the complete cognition on the Korean ceremonial classic music, as well as Korean's attitude to take in the Chinese musical culture.

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Available abstract

The Chinese Yayue (ceremonial classic music )came from court hymns of the Western Zhou Dynasty, and it started to disseminate to East Asia in Tang Dynasty. The Yayue arrived in Korea peninsula in Song Dynasty, which profound affected its folk music. The writer comparative researched Yayue in two countries with their usage founction, band organizations, historical transmute, to get the complete cognition on the Korean ceremonial classic music, as well as Korean's attitude to take in the Chinese musical culture.

Key concepts: Peninsula, China, History, Musical, East Asia, Ancient history, Folk music, Visual arts

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