On the Combination of Poetry and Painting in Chinese Painting
Zhao Jing
Abstract
Zhao Jing
Abstract
The combination of poetry and painting plays a very important role in Chinese painting. Its unique charm lies in the psychological satisfaction of spiritual value as well as sensory satisfaction of aesthetic value. The author concludes that artists can only pursue the limitless freedom of individual spirit to human beings' rational return by surpassing the scenic restriction and rational limitation. Thus, the natural, graceful and unrestrained combination of poetry and painting will be attained.
A significance statement is not available in the OpenAlex record.
A contribution statement is not available in the OpenAlex record.
Method details are not available in the OpenAlex metadata.
Findings are not separately available in the OpenAlex metadata.
Limitations are not available in the OpenAlex metadata.
Application details are not available in the OpenAlex metadata.
The combination of poetry and painting plays a very important role in Chinese painting. Its unique charm lies in the psychological satisfaction of spiritual value as well as sensory satisfaction of aesthetic value. The author concludes that artists can only pursue the limitless freedom of individual spirit to human beings' rational return by surpassing the scenic restriction and rational limitation. Thus, the natural, graceful and unrestrained combination of poetry and painting will be attained.
Key concepts: Poetry, Painting, Charm (quantum number), Aesthetic value, Value (mathematics), Natural (archaeology), Art, Aesthetics