Wang Qi
Abstract
Through considering the cause of formation of the knock-timbre in piano works in 20th century, the article compared two different timbre features of the piano, and got the conclusion of knock-timbre multiformity, which as writer's opinion was the theatrical base of the piano performance in 20 th century.
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Through considering the cause of formation of the knock-timbre in piano works in 20th century, the article compared two different timbre features of the piano, and got the conclusion of knock-timbre multiformity, which as writer's opinion was the theatrical base of the piano performance in 20 th century.
Key concepts: Piano, Timbre, Art, Acoustics, History, Literature, Art history, Physics