On the Deconstruction of New Historical Novel to Traditional Revolutionary Language
Xin Shu
Abstract
Xin Shu
Abstract
The deconstruction of new historical novel to the revolutionary language is based on the deconstruction to the history as a whole.Its deconstruction to the traditional revolutionary language is displayed as follows: the exchange of revolutionary subjects in novels;the text's deconstruction to the meaning of revolutionary grand language and its emphasis on historical recycling and historical chanciness;the different setting of the visual angles in revolutionary narration and in traditional revolutionary narration.It not only alters the writing style of traditional revolutionary historical novel which sticks faithfully to the historical facts,but also changes the revolutionary subject ad motif.The hierarchical,demotic and historical motives and modernity of the nation are deconstructed to certain extent.
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The deconstruction of new historical novel to the revolutionary language is based on the deconstruction to the history as a whole.Its deconstruction to the traditional revolutionary language is displayed as follows: the exchange of revolutionary subjects in novels;the text's deconstruction to the meaning of revolutionary grand language and its emphasis on historical recycling and historical chanciness;the different setting of the visual angles in revolutionary narration and in traditional revolutionary narration.It not only alters the writing style of traditional revolutionary historical novel which sticks faithfully to the historical facts,but also changes the revolutionary subject ad motif.The hierarchical,demotic and historical motives and modernity of the nation are deconstructed to certain extent.
Key concepts: Deconstruction (building), Modernity, Narrative, Literature, Aesthetics, Motif (music), Subject matter, Meaning (existential)