On Tibetan Folk Dacing Style
Guixia Wang
Abstract
Guixia Wang
Abstract
Qing Zang Highland of Our courtry is wide in area and fertile in water resource. The special natural enviroment, religion culture are breeding Tibetan aesthetic psychology and forming Tibetan folk dancing style which has combined with argriculture, husbandry and religion. This thesis tells us the trend of Tibetan folk dancing style from region culture, foreign influence, imitation and worship to totemaiming at get deeper understanding of it.
A significance statement is not available in the OpenAlex record.
A contribution statement is not available in the OpenAlex record.
Method details are not available in the OpenAlex metadata.
Findings are not separately available in the OpenAlex metadata.
Limitations are not available in the OpenAlex metadata.
Application details are not available in the OpenAlex metadata.
Qing Zang Highland of Our courtry is wide in area and fertile in water resource. The special natural enviroment, religion culture are breeding Tibetan aesthetic psychology and forming Tibetan folk dancing style which has combined with argriculture, husbandry and religion. This thesis tells us the trend of Tibetan folk dancing style from region culture, foreign influence, imitation and worship to totemaiming at get deeper understanding of it.
Key concepts: Worship, Style (visual arts), Natural (archaeology), Aesthetics, China, Folk culture, Imitation, History