2003Unpublished venueRequires access

Repetition of Four Tones of Rising, Falling,Pure and Impure Chinese Pronunciation in Modern Style Poetry

Kuang Jian-xing

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Abstract

The repetition of four tones of rising, falling, pure and impure Chinese pronunciation aims to give free rein to further arrangement for poems creation of ancient Chinese, which is seen in poetry commentators in Ming and Qing Dynasty and most in Qing Dynasty. This paper explains, analyzes and supplements the four tones.

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What this paper is about

The repetition of four tones of rising, falling, pure and impure Chinese pronunciation aims to give free rein to further arrangement for poems creation of ancient Chinese, which is seen in poetry commentators in Ming and Qing Dynasty and most in Qing Dynasty. This paper explains, analyzes and supplements the four tones.

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Available abstract

The repetition of four tones of rising, falling, pure and impure Chinese pronunciation aims to give free rein to further arrangement for poems creation of ancient Chinese, which is seen in poetry commentators in Ming and Qing Dynasty and most in Qing Dynasty. This paper explains, analyzes and supplements the four tones.

Key concepts: Poetry, Falling (accident), Pronunciation, Repetition (rhetorical device), Style (visual arts), History, Literature, Linguistics

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