From WANG Wei to SU Shi On the Integrity Between Poem and Painting,and Taking Shape of Literary Painting in History
Yin Cang
Abstract
Yin Cang
Abstract
The literary painting, in creating the mood of a work of art, prominently shows the integrity of the poetic mood and mood. The socalled natureappearing by Zen, and the thought of Taoist School, being represented by ZHUANG Zi, pursue the integrity of human and nature in the manner of the appreciation of the beautiful, this is the philosophical basis of the integrity between poem and painting. In the creation of painting,that is mood shown in poem, and there is poem mood shown in the painting was invented by WANG Wei, then the systematic generalization and advocation in theory was done by SU Shi.Later literary begam to take shape from creation and theory. With the development of the last generation, especially the basis of the Song Dynasty, the literary paintings in the Yuan, Ming, and Qing Dynasty were developed and highly prospered.
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The literary painting, in creating the mood of a work of art, prominently shows the integrity of the poetic mood and mood. The socalled natureappearing by Zen, and the thought of Taoist School, being represented by ZHUANG Zi, pursue the integrity of human and nature in the manner of the appreciation of the beautiful, this is the philosophical basis of the integrity between poem and painting. In the creation of painting,that is mood shown in poem, and there is poem mood shown in the painting was invented by WANG Wei, then the systematic generalization and advocation in theory was done by SU Shi.Later literary begam to take shape from creation and theory. With the development of the last generation, especially the basis of the Song Dynasty, the literary paintings in the Yuan, Ming, and Qing Dynasty were developed and highly prospered.
Key concepts: Painting, Poetry, Generalization, Mood, Art, Literature, Philosophy, Art history