2006Journal of Hainan Normal UniversityRequires access

The Power of Narration

Zhang Chao-li

Open publisher page 1 citations

Abstract

Fiction became an artistic form with fresh life vitality in the 1980s and 1990s,and with the emergence of such schools of fiction as avant-garde fiction,fiction of the stream of consciousness,fiction of new perception,fiction of neo-realism,etc.fiction has witnessed constant changes in the mode of its narration.From the revolution in the mode of narration on the part of Liu Su-la,Ma Yuan and Yu Hua through the fluidity of narration marked by soliloquy and confused temporal order in the novels of Wang Meng to the perceptible ecstasy of narration learned and obtained in life on the part of Mao Yan to the melancholy of low-key narration by Fang Fang,Shi Li and Liu Zhen-yun… The radiation of fiction in its narrative structure,the elasticity and tension of its language of narration,the diversity of its narrative modes and the complexity of its narrative rhythm all combine to constitute a strong power,thus having led to incessant changes in the aesthetic pattern of fiction as well as to the constant expansion of fiction in terms of its depth and width of portraying social life.

About this research paper

What this paper is about

Fiction became an artistic form with fresh life vitality in the 1980s and 1990s,and with the emergence of such schools of fiction as avant-garde fiction,fiction of the stream of consciousness,fiction of new perception,fiction of neo-realism,etc.fiction has witnessed constant changes in the mode of its narration.From the revolution in the mode of narration on the part of Liu Su-la,Ma Yuan and Yu Hua through the fluidity of narration marked by soliloquy and confused temporal order in the novels of Wang Meng to the perceptible ecstasy of narration learned and obtained in life on the part of Mao Yan to the melancholy of low-key narration by Fang Fang,Shi Li and Liu Zhen-yun… The radiation of fiction in its narrative structure,the elasticity and tension of its language of narration,the diversity of its narrative modes and the complexity of its narrative rhythm all combine to constitute a strong power,thus having led to incessant changes in the aesthetic pattern of fiction as well as to the constant expansion of fiction in terms of its depth and width of portraying social life.

Why it matters

OpenAlex reports 1 citations for this work. Citation counts describe recorded attention and do not establish research quality.

Key contribution

A contribution statement is not available in the OpenAlex record.

Method / approach

Method details are not available in the OpenAlex metadata.

Main findings

Findings are not separately available in the OpenAlex metadata.

Limitations

Limitations are not available in the OpenAlex metadata.

Applications

Application details are not available in the OpenAlex metadata.

Available abstract

Fiction became an artistic form with fresh life vitality in the 1980s and 1990s,and with the emergence of such schools of fiction as avant-garde fiction,fiction of the stream of consciousness,fiction of new perception,fiction of neo-realism,etc.fiction has witnessed constant changes in the mode of its narration.From the revolution in the mode of narration on the part of Liu Su-la,Ma Yuan and Yu Hua through the fluidity of narration marked by soliloquy and confused temporal order in the novels of Wang Meng to the perceptible ecstasy of narration learned and obtained in life on the part of Mao Yan to the melancholy of low-key narration by Fang Fang,Shi Li and Liu Zhen-yun… The radiation of fiction in its narrative structure,the elasticity and tension of its language of narration,the diversity of its narrative modes and the complexity of its narrative rhythm all combine to constitute a strong power,thus having led to incessant changes in the aesthetic pattern of fiction as well as to the constant expansion of fiction in terms of its depth and width of portraying social life.

Key concepts: Narrative, Literature, Soliloquy, Consciousness, Fiction theory, Fang, Techno-thriller, Realism

Related papers

Back to paper searchBrowse research topicsOriginal source
The Power of Narration — Research Paper | ScholarLens