The Universal Spirit of Chinese Art
Huang Yu-ren
Abstract
Huang Yu-ren
Abstract
The mood offusion of setting and feelingadvocated in Chinese art reflects Chinese people's universal spirit ofcommunication solely with the essence of the universeandthe harmony between man and nature.Chuangzi's concept ofharmony of man with naturecarries a genuine aesthetic attribute.It is the very concept that leads to Chinese artists the boundless nature featuring mountains and waters from which they keep drawing inexhaustible nutrition.In addition,Chuangzi's idea lays down an aesthetical principle for classical Chinese art in forming its integral mood freely crisscrossing time and space.
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The mood offusion of setting and feelingadvocated in Chinese art reflects Chinese people's universal spirit ofcommunication solely with the essence of the universeandthe harmony between man and nature.Chuangzi's concept ofharmony of man with naturecarries a genuine aesthetic attribute.It is the very concept that leads to Chinese artists the boundless nature featuring mountains and waters from which they keep drawing inexhaustible nutrition.In addition,Chuangzi's idea lays down an aesthetical principle for classical Chinese art in forming its integral mood freely crisscrossing time and space.
Key concepts: Harmony (color), Chinese art, Aesthetics, Mood, Chinese philosophy, Art, Epistemology, Sociology