2006Journal of Nanjing Normal UniversityRequires access

Also on "Han Yin"and "Wei Xiang"

Huang Zhi-hao

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Abstract

The separation of the poetry from poetry dates from the Ming Dynasty's poetics.The critics of the Qing Dynasty,while selecting poems,named them Han Yin and Wei Xiang respectively.Its great influence can be felt even today.In fact,locating the poetic creation of the three Cao and the Ye capital Literati Group has become the focus in deciding the periods of the poetic history and the poetic self-conscious era.Theoretically, the sign for poetic self-consciousness is that poetry should exist in itself as a language art.Thus,Cao Cao's works are still a beauty combining poetic language with musical rhythm,belonging to the category of the lyric.However,the poems of Cao Pi and Cao Zhi,as a result of the new change in creating mood and concept,show the separation of language arts from music arts,embarking on the journey of poetic self-consciousness.The paper partly borrows the ancient notion of Han Yin and Wei Xiang,while in literary values and aesthetic theories it shows their significantly different orientations.

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The separation of the poetry from poetry dates from the Ming Dynasty's poetics.The critics of the Qing Dynasty,while selecting poems,named them Han Yin and Wei Xiang respectively.Its great influence can be felt even today.In fact,locating the poetic creation of the three Cao and the Ye capital Literati Group has become the focus in deciding the periods of the poetic history and the poetic self-conscious era.Theoretically, the sign for poetic self-consciousness is that poetry should exist in itself as a language art.Thus,Cao Cao's works are still a beauty combining poetic language with musical rhythm,belonging to the category of the lyric.However,the poems of Cao Pi and Cao Zhi,as a result of the new change in creating mood and concept,show the separation of language arts from music arts,embarking on the journey of poetic self-consciousness.The paper partly borrows the ancient notion of Han Yin and Wei Xiang,while in literary values and aesthetic theories it shows their significantly different orientations.

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Available abstract

The separation of the poetry from poetry dates from the Ming Dynasty's poetics.The critics of the Qing Dynasty,while selecting poems,named them Han Yin and Wei Xiang respectively.Its great influence can be felt even today.In fact,locating the poetic creation of the three Cao and the Ye capital Literati Group has become the focus in deciding the periods of the poetic history and the poetic self-conscious era.Theoretically, the sign for poetic self-consciousness is that poetry should exist in itself as a language art.Thus,Cao Cao's works are still a beauty combining poetic language with musical rhythm,belonging to the category of the lyric.However,the poems of Cao Pi and Cao Zhi,as a result of the new change in creating mood and concept,show the separation of language arts from music arts,embarking on the journey of poetic self-consciousness.The paper partly borrows the ancient notion of Han Yin and Wei Xiang,while in literary values and aesthetic theories it shows their significantly different orientations.

Key concepts: Poetry, Poetics, Literature, Consciousness, Classical Chinese poetry, Sign (mathematics), The arts, Art

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