Oppression and Protection, Attraction and Fear:The Tug-of-War between Women and Patriarchy in the Gothic Novel
Su Geng
Abstract
Su Geng
Abstract
The Gothic novel reveals the relationship between women and patriarchy to be far more complex than one of oppression and resistance. Protagonists and authors of these works, both heavily feminine groups, show conflicting sentiments towards patriarchy and its representatives and symbols. Such ambivalence is a form of the 18thcentury middleclass's critique of the burgeoning capitalist model of production.
A significance statement is not available in the OpenAlex record.
A contribution statement is not available in the OpenAlex record.
Method details are not available in the OpenAlex metadata.
Findings are not separately available in the OpenAlex metadata.
Limitations are not available in the OpenAlex metadata.
Application details are not available in the OpenAlex metadata.
The Gothic novel reveals the relationship between women and patriarchy to be far more complex than one of oppression and resistance. Protagonists and authors of these works, both heavily feminine groups, show conflicting sentiments towards patriarchy and its representatives and symbols. Such ambivalence is a form of the 18thcentury middleclass's critique of the burgeoning capitalist model of production.
Key concepts: Patriarchy, Oppression, Ambivalence, Resistance (ecology), Tug of war, Sociology, Gender studies, Psychology