Construction of Contemporary Aesthetics:the Argument and Convergence Between Practice Aesthetics and Vitality Aesthetics

The argument between practice aesthetics and vitality aesthetics is a important debate on theory again in Chinese aesthetics circle after aesthetics discussion in 1950 1960's and “aesthetics heat” in 1980's It's urgent and essential to summarize its significance First, the author discusses aesthetics sources of practice aesthetics and vitality aesthetics,and thinks that they are inheriting Chinese and foreign aesthetics sources on human Second,he briefly introduces the situation of argument in the article by giving two examples Li Zehou and Pan Zhichang who are the typical representatives of practice aesthetics and vitality aesthetics On the foundation of historical and logical analysis,he gets a conclusion that practice aesthetics and vitality aesthetics are two Contemporary forms of Chinese aesthetics on human because they echo with foreign human Centered aesthetics and follow Chinese classical aesthetics on human Moreover,they attain a aim of historical convergence through dialogue Finally, We put forward a preliminary proposition of contemporary aesthetics on human and its significance for us