2007Journal of Liaoning Technical UniversityRequires access

Relations between sensibility and sense in ancient theses of China

QI Hai-ying

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Abstract

In view of the problem of the relations between sensibility and sense running though the process of the entire Chinese literature development,with the macroscopic perspective method,taking the history of literary criticism as background,the ralations between sensibility and sense is summed up into the following types:commanding the sensibility with feudal etiqueete,eliminating sensibility with sentiment idea,resisting the sensibility with neo-Confucianism idea,fusing sensibility with natural society's conventional truth.This will be helpful to understand the literature essence and characteristics thoroughly.

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In view of the problem of the relations between sensibility and sense running though the process of the entire Chinese literature development,with the macroscopic perspective method,taking the history of literary criticism as background,the ralations between sensibility and sense is summed up into the following types:commanding the sensibility with feudal etiqueete,eliminating sensibility with sentiment idea,resisting the sensibility with neo-Confucianism idea,fusing sensibility with natural society's conventional truth.This will be helpful to understand the literature essence and characteristics thoroughly.

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Available abstract

In view of the problem of the relations between sensibility and sense running though the process of the entire Chinese literature development,with the macroscopic perspective method,taking the history of literary criticism as background,the ralations between sensibility and sense is summed up into the following types:commanding the sensibility with feudal etiqueete,eliminating sensibility with sentiment idea,resisting the sensibility with neo-Confucianism idea,fusing sensibility with natural society's conventional truth.This will be helpful to understand the literature essence and characteristics thoroughly.

Key concepts: Sensibility, Criticism, Aesthetics, Perspective (graphical), China, Epistemology, Philosophy, History

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