2006Journal of Shiyan Technical InstituteRequires access

The engendering and the development of The New Poetry under the background of history (1916~1936)

Liu Xun-hua

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Abstract

In the past,researchers viewed The New Poetry mostly from the angle of pure literature.Now the writer in this paper, from the angle of history,tries to discuss the engendering and the development of The New Poetry from the year of 1916 to the year of 1936.During the 20 years,The New Poetry has completed its socialization from its form to its content. It came into being at the time of social transformation in the early 20th century.Under the historical background,the individuality freedom and liberation which the New Poetry pursues reflects a complicated social contradiction of that time.

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In the past,researchers viewed The New Poetry mostly from the angle of pure literature.Now the writer in this paper, from the angle of history,tries to discuss the engendering and the development of The New Poetry from the year of 1916 to the year of 1936.During the 20 years,The New Poetry has completed its socialization from its form to its content. It came into being at the time of social transformation in the early 20th century.Under the historical background,the individuality freedom and liberation which the New Poetry pursues reflects a complicated social contradiction of that time.

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Available abstract

In the past,researchers viewed The New Poetry mostly from the angle of pure literature.Now the writer in this paper, from the angle of history,tries to discuss the engendering and the development of The New Poetry from the year of 1916 to the year of 1936.During the 20 years,The New Poetry has completed its socialization from its form to its content. It came into being at the time of social transformation in the early 20th century.Under the historical background,the individuality freedom and liberation which the New Poetry pursues reflects a complicated social contradiction of that time.

Key concepts: Poetry, Contradiction, Literature, Socialization, Aesthetics, History, Sociology, Art

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