On Virginia Woolf's Post-Impressionist Artistic Vision
Zhang Ye
Abstract
Zhang Ye
Abstract
At the beginning of the 20th century,under the influence of modernist painting,Virginia Woolf forms her unique artistic view which embodies two sides in To the Lighthouse,namely,pursuing inner truth and non-personality of artistic creation.Pursuing inner truth transforms the interest on objective world to human mind;the stress on non-personality of artistic creation makes characters' position outstanding but withdraws the author.By applying modernist painting theory,Woof creates a piece of art written on canvas.
A significance statement is not available in the OpenAlex record.
A contribution statement is not available in the OpenAlex record.
Method details are not available in the OpenAlex metadata.
Findings are not separately available in the OpenAlex metadata.
Limitations are not available in the OpenAlex metadata.
Application details are not available in the OpenAlex metadata.
At the beginning of the 20th century,under the influence of modernist painting,Virginia Woolf forms her unique artistic view which embodies two sides in To the Lighthouse,namely,pursuing inner truth and non-personality of artistic creation.Pursuing inner truth transforms the interest on objective world to human mind;the stress on non-personality of artistic creation makes characters' position outstanding but withdraws the author.By applying modernist painting theory,Woof creates a piece of art written on canvas.
Key concepts: Painting, Art, Aesthetics, Personality, Visual arts, Psychology, Psychoanalysis