A Feminist Reading of The Merchant of Venice
Hui Li
Abstract
Hui Li
Abstract
An analysis of Shakespeare's The Merchant of Venice from the perspective of the feminist female image theory manifests the fact that the Shakespearean heroines do not fall simply into two stereotypes, namely, the good or the bad; rather, endowed with the modern antipatriarchal spirit, they are in the center of the stage whereas the men are in a subordinate and marginal position. By doing so, Shakespeare has successfully undermined the patriarchal ideology and facilitated the deconstruction of the traditional definition of women by a mencentered society, thereby offering a clearcut silhouette of his feminist ideas.
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An analysis of Shakespeare's The Merchant of Venice from the perspective of the feminist female image theory manifests the fact that the Shakespearean heroines do not fall simply into two stereotypes, namely, the good or the bad; rather, endowed with the modern antipatriarchal spirit, they are in the center of the stage whereas the men are in a subordinate and marginal position. By doing so, Shakespeare has successfully undermined the patriarchal ideology and facilitated the deconstruction of the traditional definition of women by a mencentered society, thereby offering a clearcut silhouette of his feminist ideas.
Key concepts: Deconstruction (building), Ideology, Perspective (graphical), Reading (process), Sociology, Gender studies, Aesthetics, Feminism