2009•Unpublished venueRequires access

The Twelve-Tone Technique and Orchestration in Schoenberg's Variations for Orchestra(II)

Le Hu

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Abstract

That the Variations for Orchestra,Op.31 is the first and only one orchestra work composed by Schoenberg with the twelve notes technique.The basic principle of orchestration for serial of twelve notes music in the work stressed not only the pitch equality,even the timbre equality,but also offered it with diversification of timbre,which is the typical feature of the orchestra composition.

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That the Variations for Orchestra,Op.31 is the first and only one orchestra work composed by Schoenberg with the twelve notes technique.The basic principle of orchestration for serial of twelve notes music in the work stressed not only the pitch equality,even the timbre equality,but also offered it with diversification of timbre,which is the typical feature of the orchestra composition.

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That the Variations for Orchestra,Op.31 is the first and only one orchestra work composed by Schoenberg with the twelve notes technique.The basic principle of orchestration for serial of twelve notes music in the work stressed not only the pitch equality,even the timbre equality,but also offered it with diversification of timbre,which is the typical feature of the orchestra composition.

Key concepts: Timbre, Orchestration, Tone (literature), Art, Visual arts, Speech recognition, Computer science, Mathematics

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The Twelve-Tone Technique and Orchestration in Schoenberg's Variations for Orchestra(II) — Research Paper | ScholarLens