2001Journal of Anhui Normal UniversityRequires access

ZONG Bai-hua's Contribution to Aesthetics Ideology

Zhu Zhi-rong

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Abstract

Zong Baihua, as a pioneer of modern Chinese aesthetics, has made outstarding contribution to Chinese aesthetics of 20th century. Thanks to his uncommon artistic temperament, unique knowledge structure, academic experience of studying aesthetics and philosophy in Germany, and deep understanding of Chinese arts, he is able to base his research on traditional Chinese ideology, concentrate on Chinese art which embodies life consciousness, while at the same time with reference to western aesthetics, and therefore provide aesthetics research model for later generations. In the aspect of aesthetic life philosophy, Zong Baihua commends a life attitude both supramundane and positive, reflecting artistic spirits. At the same time, he inherits Chinese traditional poetics conception, which considers that artistic conception is created by an artist when his/her passion is blended with natural scenery and therefore reflects the artists,personality. In the artistic conception of void and solid, Zong Baihua emphasizes that the static and dynamic states of art supplement with each other. Under the influence of shaupenhaur, Zong Baihua has developed a deep understanding and mature opinion on the music spirit in Chinese art.

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Zong Baihua, as a pioneer of modern Chinese aesthetics, has made outstarding contribution to Chinese aesthetics of 20th century. Thanks to his uncommon artistic temperament, unique knowledge structure, academic experience of studying aesthetics and philosophy in Germany, and deep understanding of Chinese arts, he is able to base his research on traditional Chinese ideology, concentrate on Chinese art which embodies life consciousness, while at the same time with reference to western aesthetics, and therefore provide aesthetics research model for later generations. In the aspect of aesthetic life philosophy, Zong Baihua commends a life attitude both supramundane and positive, reflecting artistic spirits. At the same time, he inherits Chinese traditional poetics conception, which considers that artistic conception is created by an artist when his/her passion is blended with natural scenery and therefore reflects the artists,personality. In the artistic conception of void and solid, Zong Baihua emphasizes that the static and dynamic states of art supplement with each other. Under the influence of shaupenhaur, Zong Baihua has developed a deep understanding and mature opinion on the music spirit in Chinese art.

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Available abstract

Zong Baihua, as a pioneer of modern Chinese aesthetics, has made outstarding contribution to Chinese aesthetics of 20th century. Thanks to his uncommon artistic temperament, unique knowledge structure, academic experience of studying aesthetics and philosophy in Germany, and deep understanding of Chinese arts, he is able to base his research on traditional Chinese ideology, concentrate on Chinese art which embodies life consciousness, while at the same time with reference to western aesthetics, and therefore provide aesthetics research model for later generations. In the aspect of aesthetic life philosophy, Zong Baihua commends a life attitude both supramundane and positive, reflecting artistic spirits. At the same time, he inherits Chinese traditional poetics conception, which considers that artistic conception is created by an artist when his/her passion is blended with natural scenery and therefore reflects the artists,personality. In the artistic conception of void and solid, Zong Baihua emphasizes that the static and dynamic states of art supplement with each other. Under the influence of shaupenhaur, Zong Baihua has developed a deep understanding and mature opinion on the music spirit in Chinese art.

Key concepts: Aesthetics, Ideology, Poetics, The arts, Everyday Aesthetics, Chinese philosophy, Phenomenology (philosophy), Consciousness

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