2007•Journal of Shanxi UniversityRequires access

The“Y”Trend of the Novel Concept in the Six-dynasty

Ning Jia-yu

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Abstract

This text points out that the word“novel”in the Chinese ancient works was not that one having the meaning of modern literary-style before the Six-dynasty;While at that time the works,with the factors of the modern novel literary-style,weren't named novels,These two lines didn't join together gradually until Tang Dynasty,hence forming a“Y”trend,And the Six-dynasty is just the time that the two end lines of the“Y”have taken shape respectively but haven't joined,In view of this,when using the concept of“the Six-dynasty novel”,we should take both sides into account,instead of attending to one and ignoring the other.

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What this paper is about

This text points out that the word“novel”in the Chinese ancient works was not that one having the meaning of modern literary-style before the Six-dynasty;While at that time the works,with the factors of the modern novel literary-style,weren't named novels,These two lines didn't join together gradually until Tang Dynasty,hence forming a“Y”trend,And the Six-dynasty is just the time that the two end lines of the“Y”have taken shape respectively but haven't joined,In view of this,when using the concept of“the Six-dynasty novel”,we should take both sides into account,instead of attending to one and ignoring the other.

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Available abstract

This text points out that the word“novel”in the Chinese ancient works was not that one having the meaning of modern literary-style before the Six-dynasty;While at that time the works,with the factors of the modern novel literary-style,weren't named novels,These two lines didn't join together gradually until Tang Dynasty,hence forming a“Y”trend,And the Six-dynasty is just the time that the two end lines of the“Y”have taken shape respectively but haven't joined,In view of this,when using the concept of“the Six-dynasty novel”,we should take both sides into account,instead of attending to one and ignoring the other.

Key concepts: Style (visual arts), Meaning (existential), Literature, History, Chinese literature, Writing style, Haven, Word (group theory)

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