2004•Journal of Yantai UniversityRequires access

"Qiyun" and Poetic Thinking of Chinese Classical Aesthetics

Wang Qing-wei

Open publisher page 3 citations

Abstract

Qiyun category is of most representative in Chinese aesthetics. It has become the core of drawing theory. The philosophical basis of qiyun is theory in ancient Chinese philosophy, which looks on qias the origin of things and life of the universe and the basic idea of universe, life and art in traditional Chinese culture . The presentation and expression of are attained by way of yun. As unique verbal method , the characteristic of yun lies that it is not the description of outside form . It persues inner nature or spiritual state expressing things beyond image. It originates from its richness, depends on soul state of subject, generates from the combination of the two .The category of qiyun reflects the character of poetic thinking of the aesthetic culture of ancient China. In the history of Chinese culture, richness of the connotation of qi and yun provides various possibilities in the evolution of art history.

About this research paper

What this paper is about

Qiyun category is of most representative in Chinese aesthetics. It has become the core of drawing theory. The philosophical basis of qiyun is theory in ancient Chinese philosophy, which looks on qias the origin of things and life of the universe and the basic idea of universe, life and art in traditional Chinese culture . The presentation and expression of are attained by way of yun. As unique verbal method , the characteristic of yun lies that it is not the description of outside form . It persues inner nature or spiritual state expressing things beyond image. It originates from its richness, depends on soul state of subject, generates from the combination of the two .The category of qiyun reflects the character of poetic thinking of the aesthetic culture of ancient China. In the history of Chinese culture, richness of the connotation of qi and yun provides various possibilities in the evolution of art history.

Why it matters

OpenAlex reports 3 citations for this work. Citation counts describe recorded attention and do not establish research quality.

Key contribution

A contribution statement is not available in the OpenAlex record.

Method / approach

Method details are not available in the OpenAlex metadata.

Main findings

Findings are not separately available in the OpenAlex metadata.

Limitations

Limitations are not available in the OpenAlex metadata.

Applications

Application details are not available in the OpenAlex metadata.

Available abstract

Qiyun category is of most representative in Chinese aesthetics. It has become the core of drawing theory. The philosophical basis of qiyun is theory in ancient Chinese philosophy, which looks on qias the origin of things and life of the universe and the basic idea of universe, life and art in traditional Chinese culture . The presentation and expression of are attained by way of yun. As unique verbal method , the characteristic of yun lies that it is not the description of outside form . It persues inner nature or spiritual state expressing things beyond image. It originates from its richness, depends on soul state of subject, generates from the combination of the two .The category of qiyun reflects the character of poetic thinking of the aesthetic culture of ancient China. In the history of Chinese culture, richness of the connotation of qi and yun provides various possibilities in the evolution of art history.

Key concepts: Connotation, Soul, Aesthetics, Expression (computer science), Poetry, Subject (documents), Chinese culture, Epistemology

Related papers

Back to paper searchBrowse research topicsOriginal source
"Qiyun" and Poetic Thinking of Chinese Classical Aesthetics — Research Paper | ScholarLens