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2007•Journal of Changchun UniversityRequires access

Musical analysis on the No.20 Piano Concerto by Mozart

Cao Da-wei

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Abstract

Mozart was one of the representatives of Viennese classical music.During his stay in Vienna(1781—1791),he created many piano accompaniments,which reached the peak of his creation.Later he created seventeen ones,each of which had its own distinguishing feature.The text will mainly summarize the creative features of one of these seventeen piano accompaniments,the No.20 D Minor Piano Concerto which he created during Viennese times.

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Mozart was one of the representatives of Viennese classical music.During his stay in Vienna(1781—1791),he created many piano accompaniments,which reached the peak of his creation.Later he created seventeen ones,each of which had its own distinguishing feature.The text will mainly summarize the creative features of one of these seventeen piano accompaniments,the No.20 D Minor Piano Concerto which he created during Viennese times.

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Available abstract

Mozart was one of the representatives of Viennese classical music.During his stay in Vienna(1781—1791),he created many piano accompaniments,which reached the peak of his creation.Later he created seventeen ones,each of which had its own distinguishing feature.The text will mainly summarize the creative features of one of these seventeen piano accompaniments,the No.20 D Minor Piano Concerto which he created during Viennese times.

Key concepts: Concerto, MOZART, Piano, Cadenza, Art, Musical, Literature, Sonata form

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